Self-confidence and awareness patterned Kelly Sue Lampers’ story. With high expectations when addressing her goals as a creative professional, the Dutch designer envisions diversity and inclusivity – access for all! Lockdown provided time to rethink her perspectives on creativity; identifying her creative values.
In her mood board, she pins up her vision of a society fulfilled of diversity and equality. She designed a unique clothing line for fashionable women bonded to a wheelchair which granted her winning the “Fashion on Wheels” competition in 2014.
Upon graduating, Kelly Sue launched her brand in 2016, intending to provide a stylish, yet classic clothing line for the women with disabilities. With attention to the individual and identities. Soon she acknowledged the big issue, the lack of equality, diversity and unity in the fashion and beauty industries, not to mention in our society.
She brought diversity and unity to the catwalk when she presented her collection with the slogan “Broken crayons, still, colours” in 2017 at Amsterdam fashion week, featuring all body types and beauties. They are SUE’s Warriors, the foundation Kelly Sue created to embrace these amazing women and draw the fashion industry’s attention for inclusivity. “With this foundation, I want to get awareness in the fashion industry for this particular audience. Represent them equally. Also, educate our society to be thinking out of the box; we are all equal in our differences.”
(Visuals provided by Kelly Sue Lampers – Instagram @_.kellysue._ @sues_warriors)
Her mission has forever been to raise awareness, she develops educational projects and collaborates with other foundations focused on diversity like the DMA model agency and the Diversity fashion week.
Creativity is part of her DNA.
Lockdown got the Dutch designer Kelly Sue Lampers into rethinking her creative fulfilment. “…because of the lockdown, when all the scheduled projects with SUE’s Warriors were cancelled, I got time to think clearly about my goals. I questioned myself if I was creative enough or challenged. I am a creative person, so I miss being creative with my hands, creating designs and working with colours. With that thought, I decided the SUE’s Warriors foundation needs a manager who will share its mission and get awareness. Meanwhile, I can develop my new feature, interior styling; work together with architects into creating accessible buildings to all.”
Positivity and inspiration highlighted the unique conversation with Kelly Sue. She celebrates diversity continuously.
Her latest project, joining the Miss Benelux Pin-Up contest matches perfectly with SUE’s Warriors and herself: “I entered the Miss Benelux Pin-Up contest because the modern pin-up beauty is the celebration of all body types. This is a perfect match with SUE’s Warriors and with myself. I am a vintage-style lover.”
Unconditionally, Kelly Sue empowers access for all.
Unmasked humanity creates unique tapestry in Janssem Cardoso’s photography.
Love, compassion and tolerance are often quoted as good qualities to possess and to live a good life; but the Brazilian photographer and videographer has gone beyond personal traits to incorporate them into the very fabric of his work.
Among his short movies and exquisite photography, a common thread of humanity, vulnerability and warmth links his subjects with incredible results, which are always touching and simultaneously provoking.
Mastering imagery in such a powerful way, you’d be forgiven to think he’d done nothing else apart from photography. But his journey didn’t necessarily start behind the lens: “I was studying Graphic Design at university and photography was one of the subjects – I just fell in love with it.” From there, he got a job at an animation studio where he was placed in a fast lane leading to the purpose he instinctively wanted since childhood.
Growing up in the Amazon State in Brazil, he was exposed to a rich universe of colours, cultures and the arts beyond the standard ludic space reserved from children. A close uncle, who was an artist, had a defining influence in Janssem as a child: “Thanks to him, I was allowed into this artistic universe… I loved drawing and anything artistic as a child… Later in life, after discovering Photoshop, I translated that instinct into a new purpose and just created and experimented with photography and filming. Everything was very intuitive.”
“When I started filming, digital was only in its infancy. I still had to use VHS and then digitalise the material. It was a complicated process but this walk influenced me and the experience in the animation studio gave me the confidence to take part in the Amazon Film Festival which, in turn, pulled me into cinema”, here, talking about the Amazon State in Brazil.
For around a decade, Janssem has been developing his talent and achieving a body of work that conveys emotion, humanity and compassion in projects that are beautiful, audacious, thought-provoking and incredibly attractive. Perhaps one of his most notable qualities is that he is remarkably devoid of artistic self-reference and genuinely interested in his subjects’ wellbeing, their needs, struggles and stories. This is evident in his work. But when we ask him about his inspiration, he says: “My photography and my work are a reflection of who I am, my life experiences… Everything I have ever lived and live right now influence my vision, how I see and perceive things.”
Taking life as it comes and keeping an open mind has led Janssem to live incredible moments: “Photography gave me many opportunities… For example, I went to Paris to photograph as friend’s wedding to whom, years earlier, I had promised to document when he got married. The day finally came; I travelled to Paris and fulfilled my promise.”
Coming from such a long way, he decided to take the opportunity and visit London for a couple of days… And then, something unexpected happened: “My flight back to Brazil was cancelled and I spent a further two days in London. During these two days I made a new friend through whom an opportunity came to work as a photographer for his charity in Camden, completely out of the blue! I went back to Brazil, organised the logistics and returned to London to take this unique opportunity and lived there for over 2 years… All because of a cancelled flight…”
Leaving the charity and London in search of new horizons to expand his work back in Brazil, Janssem started to explore and research a resurging movement of artistic nude photography. But, far from eroticised subjects, he was interested in documenting identity, the human vulnerability and self-esteem: “I then created the project ‘Other Colours’ to show nakedness as something natural. I wanted to disassociate naked from sexual.”
As he started the project, fundamental questions emerged such as body types – he didn’t want to keep reproducing similar profiles of what an ideal body should be and, so, diversity entered heavily in his concept: “I felt the need to document a variety of subjects, being it physically and racially.”
Taking this direction was really important for Janssem on a personal level too: “I evolved with this project and it also helped me to accept who I am. Not only it touched the subjects and those viewing the results but it touched me deeply on a personal level, physically, sexually and since then, I started having more empathy and compassion for people and understand things I did not understand before.”
‘Other Colours’ is a beautiful manifestation of a human need and desire to spiritually ‘undress’ and be accepted by what we really are – acknowledging and accepting what we believe we are: “For some subjects, the photoshoot was even the first step to accept who they really are”, says Janssem.
For example, there is the story of an over 60 years old woman who noticed that, as soon as she stopped dyeing her hair, people on public transport started offering their seats and; in general, treating and seeing her differently as if she had no much more to offer and someone who was not desirable anymore. The reality, however, couldn’t be further from the truth – she has a healthy and active sexual life and wanted to see herself as a sensuous and desirable woman: “The project opened the doors for discussion on many other topics such as a disability and age. At the beginning I just wanted to register people in a non-sexual way, but it has now expanded to a wider discussion and matters of identity.”
The photos are strong, delicate and truly individual. It’s difficult not to connect with their humanity and be involved in the emotions captured. Now running into its 4th year, Janssem planned to conclude with 100 subjects but the pandemic has delayed it: “I’m still digesting all this… Is there going to be a vaccine? When? Everything is hanging on standstill… this time was useful to think and have confidence in what I know – my work as a photographer and videographer; and get deeper in my search and share this search with other people.”
Sharing his search with others has led Janssem to work on a new podcast called “Ruminando” (ruminating), where he explores creative ideas with guests specialised on different areas and who have influenced him throughout his life. It includes an economist friend, a tutor from his university times in Manaus (capital of the Amazon State), a journalist friend and a teacher from his post-graduation: “I want to share my own journey and create something that will be useful not just for this moment that we’re living but for the future too, by taking the experience and advice from people I admire and respect.”
Certainly for Janssem, the pandemic is an invitation for reflection. He keeps inspired by feeding from the same sources that translates into his work: humanity.
Partly, this journalistic project The File Style is to be the voice for creative professionals in sharing their experiences in this period of lockdown.
On an honest video-call-conversation, Belgian Robbie Thielemans talks about his passion for sound and vision-innovation systems. He reveals his fashion choices and his thoughts about how Covid-19 pandemic killed the means for creativity.
Robbie and I are connections on LinkedIn. He reached out to thank me for a reaction on the DetaiLED Solutions post. More than ever, this network is the source, not to mention a call out for sharing of inspiring information and the best way to engage with creative professionals in such difficult times.
So, I asked straight away: How is it going with your creations in this time of lockdown?
Honestly, he answers: Very tough! Corona did not kill creativity, but it killed the means for it. Soon after, I arranged an interview to know more insights.
Robbie Thielemans is a creative professional working in the display industry for over 26 years. Electronics and technology were his most interesting subjects. His admiration for inventors and their ability to create new things boosted his mindset to become one, but after some years he realised there’s nothing magical about it, only hard work and lots of brainstorming. “The process is not magical, but the result can be magic!” – Robbie’s quote.
In 1998 when the first LED screens changed the world of entertainment, Robbie and his team were the creative mastermind behind it.
For years, he worked on projects and displays for the tours of famous artists such as U2, Robbie Williams and many others. As a high-tech visionary some of his creations we’ve seen on iconic events, like the Oscars.
Deeply frustrated about the governmental approach on the pandemic, he speaks his mind out: “Maybe, I’m too mathematical in my thinking, but the full approach on how it all happened was completely wrong and unbalanced. It hurts, the people and the economy!”
Creativity has no boundaries apart from financial means. “It’s very difficult now, without the financial means, to explain to people what the real idea is!” “Corona didn’t kill creativity but the means for it”.
Working as a creative consultant for the LED industry for almost three decades led him to have a strong reputation. He is recognised for his strength in turning ideas into a spectacle display with no delays. From his studio in Belgium, sometimes engaging family members in the assembling work, he develops teasers in an attempt to show his customers a prototype so that they make a budget for the project.
Robbie converses so spontaneously and deeply about his proud achievements and what is the reality for the professionals in the creative industry affected by the lockdown.
After such a deep conversation about the reality behind the screens in the present situation, to my surprise, the conversation turned to fashion by which he reveals his disappointment: “Men’s fashion is dull and not elegant, unlike female clothing. Wolford brand, for instance, “has a minimalist beauty in the design”, he says.
Intrinsically, he is proud of his designs and he has the same approach regarding his style. He wears brands that represent who he is, casual, sophisticated and minimalist.
As for the logo of his consultancy company, Stereyo, it also has a profound combination: the letters of his two sons and also the transition of the wings into a butterfly.
Behind the screens, Robbie Thielemans lights up a spectacle, his identity, outspoken views and feelings, and his concerns about the reality of professionals and businesses in the creative industry.